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Perryton

Ohhhh if it had only been daytime, but dang this storm was awesome and definitely tops for structure I’ve seen at night so far this spring. We were on a line of storms right away when they began to intensify northwest of Perryton, Texas, and while we were watching them explode, the southern cell rapidly developed a rain free base. I could see striations forming as well, so we flew south about 10 minutes and I parked at this spot mainly to get those windmills in the frame.

This was from my 5D4 with the @Tamron 15-30mm, but the other camera was doing an 8K time-lapse of this beast and I cannot wait to render that. I don’t have a ton of footage this year yet, but what I do have has been pretty great for nighttime stuff. Looking forward to hopefully more action next week!

Horseshoe Bend

This has been a roller coaster week of emotions, lack of sleep and total exhaustion. From Phoenix to Texas and then to northern Arizona for two photoshoots. Feelings of helplessness and pain as a friend left this earth way too early, to a day later witnessing two people promise to share their lives together at one of the most beautiful places in Arizona. A day later spending time with another couple celebrating a 30th birthday at Antelope Canyon and Horseshoe Bend.

It was stormy up there last night…incredibly windy and rain was coming. Our session ended before it got dark, which allowed me some time to myself. The sky was gorgeous, the clouds beautiful. This photos has what looks like a raggedy shelf cloud approaching my position.

I stayed there awhile, soaking it up, enjoying the spot with only a few people around. I even took a few portraits of two random couples and texted them the images just because after this week, I am inspired to try and be a better person and love people as much as I can.

More Wynnewood

A strong EF4 tornado spins across the fields near Katie and Wynnewood, Oklahoma on May 9th, 2016

This tornado! Never get tired of it 🙂 I’ve been wanting to take some frames from the time-lapse of this guys and do more fine turning on the editing…so I’m finally getting around to doing that. This was one of the first few frames I shot when I got to this spot south of Wynnewood, Oklahoma on May 9th, 2016.

You can see the time-lapse of this at the end of Vorticity, but it’s cropped a bit so you miss out on the beautiful structure above that twister.

Part of doing the fine tuning was removing the powerlines, because while it’s too difficult to do in a time-lapse, I really disliked them and wanted this to feel more in the middle of nowhere. If you can’t tell, I’m dying to get out chasing. Just about three weeks until my schedule is open and I can head out!

Crack of Dawn

(click on the image to see it full sized)

Last summer I made quite a few trips up to the Grand Canyon in an attempt to capture lightning, but always I failed. I even had a perfect storm right in front of me with a nice little downdraft, but nary a bolt came out of it. It was incredibly frustrating to say the least. To make the attempt over and over and come away empty handed…well I’m sure you can understand how that might feel.

I’ve had a few people say…but you’re at the Grand Canyon though, so it’s always worth the trip. Inside, I wanted to say…no, it’s not. It’s 7 hours of driving only to fail again and again. Outwardly, I’m like…yeah, true. You’re right. But of course I really didn’t feel that way.

However, this photo kinda represents what those people were trying to say and maybe it’s changed my heart a little bit. I arrived the night before to capture any lighting I could, but the storms didn’t cooperate as usual. I parked in a campground, pretty depressed, slept an hour or so, woke up early and made my way to Navajo Point to watch the sunrise before heading home.

The sky was dark, and then slowly the light grew. Then clouds were majestic. The North Rim caught the first light of the sun perfectly and I stood there in silence, taking it all in. It was overwhelming. Even though it’s one of the most popular tourist attractions in the United States, it was 6am and I was utterly alone. It was perfectly quiet except for the clicking of my camera.

I won’t soon forget that morning. Despite the supposed failure, I was thankful to be there. I left with a happy note in my heart and knew I’d be back yet again.

Crimson Bolts

Combing through the archives of photos I never edited, here’s one from monsoon 2015 west of Tonopah, AZ. I had the kids with me, I was running a fever, but this isolated storm started going up and we went after it. At the time I had no time-lapse clip I felt was good enough for the ending of Monsoon II, and I was pushing myself hard. But on this night, I knew I got it.

Incredible storm, at sunset, with crazy bolts and gorgeous colors. What a fantastic night.

The Hand

A creepy, electric hand stretches out across the sky, seemingly originating from the Sand Tank Mountains.

I miss lightning. This was July 1st last year during a monsoon that started early and epic (this cell was a tornado warned storm an hour earlier), and I was standing here with a few buddies watching some amazing lightning in the distance.

Just about three months before my usual chase season begins out on the plains. Can’t wait to get back.

Pulse

Song by Tony Anderson: “The Way Home” (Licensed through The Music Bed)
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For quite a few years now I’ve been wanting to do something different with my time-lapse films. I love color. Storms are full of color. The blues, the greens, the warm oranges and reds at sunset. The colors are sometimes what make a simple storm into something extra special.

But black and white speaks to my soul. I love it. There is something when you remove the color that lets you truly see the textures, movement and emotion of a storm.

And then you hear a song. I had asked my buddy Jay Worsley if he had heard anything lately that might rock for a black and white storm film, and he linked me to Tony Anderson’s “The Way Home.” The moment I heard it, I knew that was the song. My recent films have a frantic pace to them and people occasionally tell me they’d love to see the footage in a much slower speed. I already knew that going with the monochrome style sorta demanded something more solemn and poetic…and the song was perfect for that.

I also went with a much wider aspect ratio than I’ve ever done before. I feel like it actually feels like it brings you in closer to the action, almost like you were standing right there with me.

I held myself back for a long time in doing this project because I wasn’t very knowledgable about using tools like Premiere Pro to color grade footage, and all I thought was that I’d have to re-render all my clips as black and white before doing the film. And that’s a lot of work. But the past few years have brought me tons of experience in Premiere Pro, plus help from my buddy Jay Worsley, and I figured out how to do it all there and without a ton of effort.

The film is made up of some of my favorite clips from the past few years. A mix of the monsoon and supercell plains chasing. I’m so inspired by the songs I choose for these videos. Kerry Muzzey, Tony Anderson. Their songs are so powerful and moving and the stories they tell themselves are amazing. I went with clips that felt right with each beat of the song and while I usually try to tell a story with these films, I mostly decided to let the music be that here.

Thanks to Tony Anderson for such an incredible piece of music, and to Jay for pointing it out to me. And also to my friend and fellow time-lapser, Brian Miner (see him on Vimeo), who did some B&W work this past fall and reminded me of what I’ve wanted to do for so long now.

I hope you enjoy this! The creative juices were flowing and I also have some serious withdrawals from chasing storms. I HAD to work on something to hold me over until spring gets here. Only around four months to go before I hit the road to chase supercells and tornadoes in April, May and June!

I have a couple of tornado chasing tours going this spring, if you are interested in checking those out, visit here!

 

Rapid City

Rapid City

June 1st, 2015…my buddy James Langford told me if I didn’t punch the core of this storm I’d regret it forever. And he was right. Once I popped out the other side and saw this, my mind was blown.

Been wanting to do a black & white version of this storm, so here you go! Still one of the craziest supercell structures I’ve personally seen.

Ackerly

A gorgeous supercell slowly moves over the farmlands of Texas near the town of Ackerly.

Another image from May 31st when we were chasing marginal storms in west Texas hoping for something good and then a boundary collided with a storm near Lamesa and it exploded into a gorgeous supercell for about an hour.
This is near the town of Ackerly as it began to slowly die out, but not before it gave us some stunning lightning, structure and beautiful colors.

Swisshelm

A smattering of lightning bolts slam into the Swisshelm Mountains in southeastern Arizona

This will go down as one of my favorite chasing storms in Arizona this past summer. I didn’t end up with my best photos of all-time or anything, but it was just the night itself. I sat here watching gorgeous mammatus light up at sunset and as it got dark, the lightning started blasting on three sides of me, and I watched it slowly march over the Swisshelm Mountains to my east.

This was with the 135mm so I was super tight on the mountains hoping to get some close bolt action. I love how they are just destroying the mountainsides here while a powerful downburst is creating an exploding wall of dust that end up hitting us soon after.

The bolts were just so intense, it’s one of those nights shooting lightning that you live for.