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Unforgiven

(please click to view on black // canon 5d mark ii, canon 17-40 l, 17mm, iso 50, f/22, 1/15 // buy print)

If you are new to the blog, I usually reserve Wednesdays for movie themed images…something I like to call Movie Title Wednesdays. Genius right? I’ve been doing this for quite awhile now…in fact, if you click on the tag at the bottom of the page for “movie title series” you can look back at all of them.

This week we’ve got Unforgiven, a Clint Eastwood film that came out my junior year of high school. Crazy long time ago. Probably the fact that I was 17 and a moron, led me to feel like the movie was boring at the time. And then it won an Oscar for Best Picture. I’ve still only seen it that one time. I would love to re-watch it someday and find out why it got that Oscar. Likely due to the fact it was a sick cast of Eastwood, Gene Hackman and Morgan Freeman I reckon.

So when I finished this image up and was thinking about a movie title, Unforgiven immediately came to mind. This desolate beach landscape on the western shores of the Salton Sea was almost like something out of a nightmare. Crunchy ground, soft in places, the smells of dead fish and fowl filled your nostrils…and then you see all these dead trees that appear to have had their tops sheared off as it from a bomb blast.

Definitely an unforgiving world…and unforgiving landscape.

A gnarled old hand

(click the image to see it fit your screen, or even larger, with a nice, dark background)

I took this shot on one of the very first stormchasing days of the year, which didn’t amount to much. There was some puffy clouds, maybe some spotty rain, but it was really just the slow start to the monsoon season.

This was the day I discovered this tree for the first time. I had my daughter with me and we just pulled off into the desert off Riggs and I-10, and ended up driving out a bit to find this little guy struggling for life in the dry, arid landscape. I’ve posted at least 1-2 pictures of this tree already, but I can’t help it. I love the way it looks. That curving branch that looks like some kind of hand with wicked long fingers just waiting to grasp some unsuspecting passerby. The bit of life left that results in a some greenery not easily seen at first.

Despite there not being much weather, the clouds and sun rays were still amazing, so I tried to frame this tree against the sky so the rays looked like they were almost emanating from the fingers themselves.

I hope this tree stands for years…I’d hate to drive by it someday and see it gone.

(canon 5d mark ii, tamron 17-35mm 2.8, 17mm, iso 100, f/14, 1/125)

Sticks and Snow

Desert Storm Arizona Dead Tree Snow Weather

Lately the blog has been returning to more and more of my usual landscape and storm shots. We’ve had quite a few nice winter storms since December and it’s reignited my passion for this stuff. I was out last weekend a few times, and this weekend I went out Sunday morning to chase after some high desert snow, but it was a lot higher than I was hoping.

This image is from back in late December when we had daytime highs of around 36 degrees and some fun snow storms along the Beeline Highway.

One thing that helps your landscape or storm images is to have something interesting in the foreground. I can’t tell you how often that is a struggle for me. Not because the desert is devoid of interesting things, but mostly you worry about boring people to death with yet another shot of a Saguaro cactus with a storm in the background.

So when I’m out there running around, I do my best to mix things up. Find something else that will make a key element to the photo that people don’t normally get to see. That’s been a fun goal for me lately and has made me think twice about a lot of photos I might take.

Do I really need that scene? Is it a whole lot different than one I’ve shot in the past?

I loved this gnarled old tree skeleton. I’m not sure what it was when it was alive, but it was beautiful in death. The sun was lighting it up nicely against the dark, stormy clouds off in the distance. Really dug the contrast.

(exif: rebel xsi, tamron 17-35mm, 17mm, f/20, iso 100)