Time-lapse: Storms and Landscapes
Time-lapse is a huge part of what I do. That passion was born from the basic desire to see how a dust storm looked when sped-up. And it just so happened that my third ever time-lapse was of the historic July 5th, 2011 haboob that hit Phoenix. From there things just exploded for me. My mission every storm season, on the plains and in Arizona, is to record as much weather as I can for my own short films, but also for licensing to whoever needs it.
My work has been seen in countless documentaries, commercials, films and television. Highlights include licensing by Al Gore, storm footage used in the North America series, State Farm and Acura commercials, ESPN Super Bowl promos and the motion picture Thor: The Dark World.
For licensing inquiries, please contact me here.
Blu-Ray discs available here: www.mikeolbinski.com/shop/
Song by Kerry Muzzey: "Found" (Available on iTunes (bit.ly/MO_TM3) and Amazon (bit.ly/Found_KM) - please support him!)
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Blood. Sweat. Tears. Joy. That's what this spring was for me. The miles, the grind, the failing, the epic days missed, the lack of sleep, the jubilation, the friendships strengthened, and the time away from my family. And when the chasing was all done...wondering, was worth it all?
Heck yeah it was.
I had three goals this spring: Get a tornado on time-lapse, capture the best footage I possibly could, and chase as much as my schedule would allow. That ended up totalling 18 chase days. 20,000 miles driven. Almost 60,000 time-lapse frames shot. Nine total states. Hours and hours and hours of editing. All between April 15th and June 15th.
And the tornado? Not only did I get one, but I got six more. On April 15th, the very first day out, I saw two tornadoes in the Texas Panhandle. May 9th was Wynnewood and Sulphur in Oklahoma (both in this film), as well as Trinidad on June 13th in Colorado. And while most tornadoes will be obvious in the film, you'll have to use a keen eye to spot the first two, which appear at 2:08 and 2:13. The Wynnewood tornado, which you will see at the very end of the film, was one of the most surreal moments of my life. I was so focused on keeping up with the storm that day, that I barely realized that I had captured what I'd been working so hard to get. I texted my wife a few photos and simply said "Baby I did it". It wasn't until she responded "Babe, it's beautiful. I'm so happy for you" that I completely lost it - live stream going on in the truck, people watching, and tears streaming down my face.
But that's how much this spring meant to me, and how hard I was going. Most of the time exhausted. My typical routine would be to leave Phoenix sometime in late afternoon, drive all night, sleep an hour or two in the truck and then chase the next few days. And then drive home all night again. I did whatever I could to to minimize the time away from my family. Heck, I once even shot a wedding all day, left the venue, and drove all night to chase. I didn't want to miss anything this spring.
What's awesome to me is that some of my best stuff came from marginal days, where it took some effort and crazy luck to get sick storm structures. Those were the surprises - amazing clips worthy of the final product despite the chase day starting out subpar. Combined together with everything else, I think it's some of my best footage to date!
Technical note...this film marks the first time I used my Canon 5DSR and 11-24 for time-lapse, which I bought right before the spring started (Thank you Martin Heck for the help!). I'm not 100% sure of course, but I believe the tornadoes in the film may be some of the first ever captured in 8K resolution. The 50 megapixels that camera offers was huge for being able to zoom into certain shots and still maintain fantastic quality and sharpness. Couldn't be happier with that beast. I also used my trusty 5D3 for the tighter shots, with the 35mm, 50mm or 135mm.
I have to mention Kerry Muzzey here...he has surpassed being kind to me. This is the 3rd or 4th time he's donated a song to one of my projects and I'm forever grateful. His music is powerful, haunting at times, and always, always perfect for the story I want to tell. This year I knew right away that "Found" was the song I would use. Please visit the links above to support his work!
There are a lot of names to thank which are listed at the end of the film. I owe them all so much for helping me this spring. Nowcasting, making me turn around when I was headed to Montana, teaching me about forecasting, helping me choose the right new camera, editing input, and just being good friends. I am very blessed to have some amazing people around me!
Most of all to my wife, Jina. She knows...every year I'm gone longer. I'm sure next year could be worse. But through it all, even when it's really tough, she's always right behind me. Making things work when I'm away. There are never enough words to cover how amazing she is. But she knows and I know - this film wouldn't happen without her.
I think that's about it! Thanks to everyone for the kind words of support all year. I truly hope you enjoy this one! On to Monsoon 3!
Captured with A CANON 5DSR, CANON 5D3, Canon 11-24mm f/4, 16-35mm, 35mm, 50mm, 135mm
Processed using Lightroom, LR Timelapse, After Effects and Premiere Pro
Most clips available in 8K resolution, as well as 4K.
- Vorticity (4K)
- A supercell near Booker, Texas
- The Phoenix Haboob of July 5th, 2011
- The Chase
- Vorticity (4K)
- Monsoon III (4K)
- Pulse (4K)
- Monsoon II (4K)
- The Arizona Monsoon in Timelapse (2012)
- Mike Olbinski Photography - Promo Reel
- Seven Days on the Plains
- May 9th, 2012 - Dust storms near Casa Grande and Phoenix
- Mike's 2011 Stormchasing Trip
- Phoenix Haboob - July 3rd, 2014
- Downtown Phoenix Sunset - May 8th, 2013
- Downtown Phoenix Sunset - June 28th, 2011
- Lost//Discovered: The Other Side
- A dying monsoon thunderstorm at sunset