Monsoon IV // A 4K storm time-lapse film

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Blu-Ray discs available here: mikeolbinski.com/shop/
Music by Peter Nanasi, find his work here: https://peternanasi.bandcamp.com/
Follow me: twitter.com/mikeolbinski / facebook.com/mikeolbinskiphotography / instagram.com/mikeolbinski
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Early on this summer when I found myself down by Santa Rosa, AZ watching a gorgeous hail core fall on the stunning desert landscape, and then later that day staring at a haboob with a stacked shelf cloud above it near the border of Mexico, I had a feeling it would be a unique monsoon. It’s funny how every year is different. That’s the beauty of chasing the summer storm season out here in the desert southwest. You never know what’s going to happen or what you might see.

This year I ventured far and wide. Phoenix never saw a good dust storm all summer, but I still was able to capture a few good ones in southwest portions of the state. The cover photo for this film was halfway to Yuma standing in the middle of Interstate 8 watching an ominous wall of dust roll down the highway towards me with lightning flashing behind it. It was an incredible moment.

One bonus this summer was a few successful chases up at the Grand Canyon. Finally. A couple of gorgeous sunsets, rain dumping into the Canyon, lightning at night, Milky Way…it all worked out and I’m stoked for the footage I captured there that made it into this film. I also ventured over into New Mexico twice to chase some wonderful, plains-like structure to end the monsoon this year.

All told I covered about 13,000 miles and chased as far west as Desert Center, CA, as far east as Wilna, NM and as far north as Tonelea, AZ. And two great storms down in Organ Pipe National Monument, which is only about 10 miles from Mexico.

I loved what I saw this year. It felt so unique. I found myself submerged in cacti and desert flora a few times with stunning light and structure. Explored places in New Mexico I hadn’t seen before. Smiled at the gasps of amazement from the crowds at the Canyon when a lightning bolt would strike. Finally discovered that the Santa Rosa area is a hotbed for supercell activity. And while it didn’t make it on time-lapse, I captured a brief tornado over downtown Phoenix!

So…the film. So much effort and energy went into it. I shot over 110,000 frames of time-lapse and likely only half of it ended up in the final cut. The editing has taken me weeks and even right up until Monday evening I was still fixing and tweaking. The music is all custom, thanks to the amazing work of Peter Nanasi. PLEASE check out his website and buy his albums! I love how we work together to develop a track that seems to fit exactly with the clips I capture. I am so incredibly blessed that his work crossed my path.

A quick thank-you to the workshop guests I had this summer. You guys were amazing troopers, staying out to all hours and being around for some awesome storms. In fact, I am not sure that I would have even been on the shelf cloud in the final scene of this film if it hadn’t been for my workshop. Thank you, thank you!

As always though, what made it fun was sharing a lot of it with my kiddos. They made the trip up to the Grand Canyon with me once and it was such a blast of an experience. Asher joined me in New Mexico one day, just he and I, and I got to see his face light up when he captured his first ever lightning strike on video on his little iPad.

To my wife Jina…we’ve come a long, long way since we started this storm chasing journey years ago. It’s not been easy all the time, especially with me being on the road so much between April and October these days. But we’ve slowly figured things out and I’m unbelievably grateful to you for your support and belief in what we’re doing together.

To everyone else…thank you for your continued support of my work. I am constantly blown-away at the kindness that you show to me.

And now…I hope you enjoy this film.

Technical Details:

I used two Canon 5DSR’s along with a Canon 11-24mm, 35mm, 50mm, 135mm and Sigma Art 50mm. Manfrotto tripods. The final product was edited in Lightroom with LR Timelapse, After Effects and Premiere Pro.

 

Pursuit // A time-lapse film

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Blu-Ray discs available here: mikeolbinski.com/shop/
Music by Peter Nanasi, find his work here: https://peternanasi.bandcamp.com/
Follow me: twitter.com/mikeolbinski / facebook.com/mikeolbinskiphotography / instagram.com/mikeolbinski
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On June 12th,  I broke down into tears. Minutes earlier, I had been outside my truck, leaning against it, head buried in my arms, frustration and failure washing over me. I wanted to quit. I got back in the car and as I drove, the pain got the better of me and the tears came.

This past spring was a tough one. Supercell structure and beautiful tornadoes had been very hard to come by. In fact, the tornado in the opening of this film was the only good one I saw this entire year. I had been on the road longer than ever before. Driven more miles. I was away from my family for 12 straight days at one point, and when I got home, I had to tell them I was going back out 24 hours later for June 12th.  It was just too good to pass up. It promised to be a day that I could get everything I had been hoping for this spring and I had no choice. My wife understood, even though I knew she wished I stayed home. And I wished it too.

I knew right where I wanted to be that day. But this year I struggled with confidence in trusting my instincts. Maybe it was because the lack of good storms this spring made me question my skills, or maybe it was something else inside of me. Whatever the case, I let myself get twisted and unsure, and found myself 80 miles away from where I had wanted to be when the tornadoes started to drop and the best structure of the year materialized in the sky. The photos from Twitter and Facebook started to roll in and I knew I had missed everything.

It may not be easy to understand why, but when you work as hard as I did this spring, a moment like that can break you.  I felt like I let my wife down. But mostly I let myself down. I forgot who I was and that’s not me. Or it shouldn’t have been me. I failed myself.  And it seemed like the easy choice to just give up and head for home.

But I didn’t. I’m not sure why, but the pain slowly began to subside. I realized it was only 4pm and the storms were still ongoing. Maybe if I could get in front of them the day could be saved. Ninety minutes later, I got out ahead and saw some of the best structure I’d seen all spring and a lightning show that was so incredible it’s one of the very last clips of this film.

And that’s why this film is called “Pursuit.” Because you can’t give up. Keep chasing, keep pursuing. Whatever it is. That’s the only way to get what you want.

I learned something about myself on June 12th which carried over to the final few days of chasing this spring. I trusted myself again and those days were incredibly rewarding. This was who I’d been all along but had forgotten. I can’t wait for next year.

The work on this film began on March 28th and ended June 29th. There were 27 total days of actual chasing and many more for traveling. I drove across 10 states and put over 28,000 new miles on the ol’ 4Runner. I snapped over 90,000 time-lapse frames. I saw the most incredible mammatus displays, the best nighttime lightning and structure I’ve ever seen, a tornado birth caught on time-lapse and a display of undulatus asperatus that blew my mind. Wall clouds, massive cores, supercell structures, shelf clouds…it ended up being an amazing season and I’m so incredibly proud of the footage in this film. It wasn’t the best year in storm chasing history…but I got to chase storms and share it with you guys. All worth it.

I wanted to do something new this year, so I worked with composer Peter Nanasi to develop a custom track for Pursuit. I’m super excited about it and loved the process of exchanging ideas and building the song as the editing of the film progressed. I am so thankful to Peter for what he came up with, I’m in love with this track!

The time away from my family turned out to be over a month all told. I’m always and continually blessed by a wife who supports what I do and backs me completely. But not only do I have her to thank this spring, but also her parents who hung around for a good chunk of May and early June, to help out wherever needed, watch the kids, run errands and generally be there for Jina. I don’t have enough words to convey how appreciative I am for them being around while I was gone.

I think that’s about it. I could write a lot more, but I’d rather you watch the film and hopefully have a taste of what I saw this spring. There is nothing quite like strong inflow winds, the smell of rain and the crack of thunder. I miss being out there already.

I hope you enjoy and I’ll do my best to answer any questions in the comments below!

Technical Details:

I used two Canon 5DSR’s along with a Canon 11-24mm, 35mm, 50mm, 135mm and Sigma Art 50mm. Manfrotto tripods. The final product was edited in Lightroom with LR Timelapse, After Effects and Premiere Pro. Roughly shot around 90,000 frames of time-lapse, but a lot sits on the cutting room floor. I may do a “leftovers” version at some point.

 

 

 

Undulatus Asperatus Sunset (Asperitas)

 

All spring I chase storms across the United States to collect footage of supercells, lightning, tornadoes and whatever I might find. Generally I don’t release any time-lapse clips from those chases until I put out my final end of season compilation film. But last night in North Dakota was too unreal to let sit on my hard drive for months.

We were chasing northeast of Bismarck, North Dakota and as storms were dying out, we decided to go for a lone cell on the backside of a line of storms. We knew it had a hail core on it and we were hoping that we might get some nice sunset color at least on the storm as it moved past us, and hopefully some lightning bolts. But we had no idea what we were about to encounter. The clouds were taking on a very different, curvy, wave-like appearance and suddenly we knew what we were seeing.

Undulatus asperatus clouds are a rare phenomenon and actually the newest named cloud type in over 60 years. I’ve seen tons of photos of them, but never anything like what we witnessed last night. We had a storm with hail in front of us and flashing lightning which was fantastic. But then we had this layer of undulatus clouds flowing across our view. Watching them was amazing already, but then the sun slowly appeared from behind some clouds to the west and lit up our storm like nothing we’ve ever seen before. We were like kids in a candy store. Running around, doing our best to capture it from every possible angle.

I did two time-lapses…one on the right side with a 50mm and then a wide angle with the 11mm. The colors here are real. I only increased the contrast. In fact, I was thinking of actually REDUCING the saturation because of how intense the colors looked with the contrast added. But that’s how it was and I left it that way. Six of us were there and all our photo and videos look the same.

This was undoubtedly one of the most incredible scenes I’ve witnessed chasing storms for the past 8 years.

Music: “Bayt Lahm” by Ryan Taubert

Gear: Two Canon 5DSR’s, Canon 11-24mm, Sigma Art 50mm 1.4

Mist and Water

Every year my buddies Jay, Jason, Andrew, Aaron and I go on a road trip somewhere. The previous two have been in Arizona, Utah, Colorado and New Mexico. We call these little excursions “Lost//Discovered.” The name implies a feeling of getting lost from our normal lives and discovering something about ourselves. Be it passion, direction or literally anything. It’s one of my favorite times of year and this past trip was another fantastic time!

This time we decided to fly to Oregon and rent our RV there, and just explore whatever seemed fun to us. The coast, waterfalls, mountains, anything we could get to. It’s a time of year when we all have a lot less going on in our businesses photographing weddings, and it’s the perfect time to get away, explore and hang out.

These trips are often tough for me. Often at this point in the year, I just need a break and while I want to time-lapse and drone everything I see, I’ll also wish I could just carry a single camera and lens, and just stand there quietly capturing the scenes around me. It’s a battle within. Sometimes I didn’t do anything and other times I made a choice between droning or time-lapsing. I love that I didn’t do a whole lot but walked away with some scenes I’m super pumped to have photographed.

This film is short, barely three minutes, and doesn’t have a ton of scenes. I love this song “No Place on Earth” but Tony Anderson, and so I just let the notes dictate the number of clips I used. It’s a mix of drone and time-lapse of random spots in Oregon. But every shot contains either mist or water, which is pretty much why I was craving Oregon in the first place. We were hoping for foggy conditions, waterfalls, waves, the ocean and anything akin to that. Even frozen Trillium Lake covered in snow had a low fog slightly obscuring Mt. Hood. The light was amazing the morning of our second day from Ecola State Park, and I gobbled that up.

Equipment included two Canon 5DSR’s and a Phantom 3 Pro. Time-lapse clips rendered in After Effects, and the final film edited in Premiere Pro. I used the Lumetri Color effect to do simple editing of the drone footage.

Hope you enjoy!

Pulse

Song by Tony Anderson: “The Way Home” (Licensed through The Music Bed)
Follow me: Twitter / Facebook / Instagram


For quite a few years now I’ve been wanting to do something different with my time-lapse films. I love color. Storms are full of color. The blues, the greens, the warm oranges and reds at sunset. The colors are sometimes what make a simple storm into something extra special.

But black and white speaks to my soul. I love it. There is something when you remove the color that lets you truly see the textures, movement and emotion of a storm.

And then you hear a song. I had asked my buddy Jay Worsley if he had heard anything lately that might rock for a black and white storm film, and he linked me to Tony Anderson’s “The Way Home.” The moment I heard it, I knew that was the song. My recent films have a frantic pace to them and people occasionally tell me they’d love to see the footage in a much slower speed. I already knew that going with the monochrome style sorta demanded something more solemn and poetic…and the song was perfect for that.

I also went with a much wider aspect ratio than I’ve ever done before. I feel like it actually feels like it brings you in closer to the action, almost like you were standing right there with me.

I held myself back for a long time in doing this project because I wasn’t very knowledgable about using tools like Premiere Pro to color grade footage, and all I thought was that I’d have to re-render all my clips as black and white before doing the film. And that’s a lot of work. But the past few years have brought me tons of experience in Premiere Pro, plus help from my buddy Jay Worsley, and I figured out how to do it all there and without a ton of effort.

The film is made up of some of my favorite clips from the past few years. A mix of the monsoon and supercell plains chasing. I’m so inspired by the songs I choose for these videos. Kerry Muzzey, Tony Anderson. Their songs are so powerful and moving and the stories they tell themselves are amazing. I went with clips that felt right with each beat of the song and while I usually try to tell a story with these films, I mostly decided to let the music be that here.

Thanks to Tony Anderson for such an incredible piece of music, and to Jay for pointing it out to me. And also to my friend and fellow time-lapser, Brian Miner (see him on Vimeo), who did some B&W work this past fall and reminded me of what I’ve wanted to do for so long now.

I hope you enjoy this! The creative juices were flowing and I also have some serious withdrawals from chasing storms. I HAD to work on something to hold me over until spring gets here. Only around four months to go before I hit the road to chase supercells and tornadoes in April, May and June!

I have a couple of tornado chasing tours going this spring, if you are interested in checking those out, visit here!

 

Monsoon III (4K)

Blu-Ray discs available by clicking here
Song by Kerry Muzzey: “Revenge”/ “Revenge: Epilogue” (on iTunes and Amazon)
Follow me: Twitter / Facebook / Instagram

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If you asked the average person, many would characterize this summer’s monsoon as a down season. Not a lot of storms overall and it seemed generally more quiet. And in many ways it actually was a slower season. All told I chased about 36 days for this film, which was less than the 48 in 2015. We had an early start in late June, and then it was dead for almost three weeks. When I looked back and realized I chased 12 less days…yeah, it definitely had less action than normal.

But to a storm chaser, none of this really means anything. Sure there were days when nothing was remotely possible to chase, but most of the time the monsoon can be found in the far corners of the state even when Phoenix and Tucson are dry as a bone.

For me personally, I loved this season. Maybe because as a filmmaker, having put out a few of these films now, I’m beginning to focus and hone in more on what I really love to time-lapse. My early scenes years ago had a lot of average clouds and distant rain that didn’t have a lot of excitement or energy. But as the years go on, and I learn more and more about chasing storms here in Arizona…I’ve found myself in better spots to capture the stuff I really enjoy. Strong downbursts of rain, building clouds, lightning…and yes, dust storms.

The one thing I was hoping for in 2016 that the previous years have lacked: Haboobs. Dust storms. Rolling walls of dirt and sand engulfing the deserts and even Phoenix itself. And my wish came true in that regard. Even a very late season, September 27th haboob that I captured right at sunset with glorious colors.

Coming off the heels of filming Vorticity in the spring, with monster supercells and tornadoes, the monsoon is a totally different beast and you’d think it would be less exciting. I don’t know. I find them both amazing and inspiring. Weather to me is weather. No matter how mind-blowing it was to witness the Wynnewood tornado this past spring, standing in front of a rolling wall of dust, or a distant lightning storm under the stars…it’s all a blast to me and I never get tired of it.

So Monsoon III…the credits will say it, but it was around 36 days of filming, I shot over 85,000 frames and am not sure how much made it into the final cut. The song I used was “Revenge” and “Revenge: Epilogue” by Kerry Muzzey, and I took both of them and sliced and diced them until I actually had a six-minute version to fit in with all the footage I captured.

As always…THANK YOU to Kerry Muzzey for supporting my work by letting me use his music once again. I don’t even have enough words for this man for doing this for me. It means more than anything!

I started editing this film mid-summer once I figured out the song I was using. And as days went by and more clips were rendered, I kept adding them and re-arranging them all the time, trying to get every clip to match the tone and feeling of the music. And then I’d think I was done and more storms would come and I’d have to move things around again, and even drop stuff. I have a lot of fun stuff that’s not in this film because I only wanted the very best!

Special thanks to Bryan Snider and Dustin Farrell for some tips this summer on editing out dust spots and birds better than I had been doing. Appreciate it fellas!

My wife takes the brunt of what I do, especially when I’m gone for days at a time. Filming in Arizona is easier because I’m usually home at some point in the evening and at least around in the mornings. But it’s a lot of work and a lot of time being away. She supports me like no other and I can’t believe how lucky I am to have someone with that much faith in what I do.

And a lot of these clips will forever hold memories for me because my two oldest kiddos were there for a lot of them, and at times even all three were nearby. My littlest guy who just turned three, sits on my lap while I edit a lot, listens to the music and loves watching the final product. And he wants to keep watching it…over, and over and over.

Makes a daddy proud.

I hope you enjoy this latest installment. Please let me know if you have any questions about anything! Most of these clips were shot in 8K with some 4K stuff thrown in there as well.

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Captured with a Canon 5DSR, two 5D3’s, 11-24mm, 16-35, 35mm, 50mm and 135mm.
Processed using Lightroom, LR Timelapse, After Effects and Premiere Pro

Vorticity: A new time-lapse film

Blu-Ray discs available here: http://www.mikeolbinski.com/shop/
Song by Kerry Muzzy: “Found” (Available on iTunes and Amazon – please support him!)
Follow me: Twitter / Facebook / Instagram / Vimeo


Blood. Sweat. Tears. Joy.  That’s what this spring was for me. The miles, the grind, the failing, the epic days missed, the lack of sleep, the jubilation, the friendships strengthened, and the time away from my family. And when the chasing was all done…wondering, was worth it all?

Heck yeah it was.

I had three goals this spring: Get a tornado on time-lapse, capture the best footage I possibly could, and chase as much as my schedule would allow. That ended up totalling 18 chase days. 20,000 miles driven. Almost 60,000 time-lapse frames shot. Nine total states. Hours and hours and hours of editing. All between April 15th and June 15th.

And the tornado? Not only did I get one, but I got six more. On April 15th, the very first day out, I saw two tornadoes in the Texas Panhandle. May 9th was Wynnewood and Sulphur in Oklahoma (both in this film), as well as Trinidad on June 13th in Colorado. And while most tornadoes will be obvious in the film, you’ll have to use a keen eye to spot the first two, which appear at 2:08 and 2:13. The Wynnewood tornado, which you will see at the very end of the film, was one of the most surreal moments of my life. I was so focused on keeping up with the storm that day, that I barely realized that I had captured what I’d been working so hard to get. I texted my wife a few photos and simply said “Baby I did it“. It wasn’t until she responded “Babe, it’s beautiful. I’m so happy for you” that I completely lost it – live stream going on in the truck, people watching, and tears streaming down my face.

But that’s how much this spring meant to me, and how hard I was going. Most of the time exhausted. My typical routine would be to leave Phoenix sometime in late afternoon, drive all night, sleep an hour or two in the truck and then chase the next few days. And then drive home all night again. I did whatever I could to to minimize the time away from my family. Heck, I once even shot a wedding all day, left the venue, and drove all night to chase. I didn’t want to miss anything this spring.

What’s awesome to me is that some of my best stuff came from marginal days, where it took some effort and crazy luck to get sick storm structures. Those were the surprises – amazing clips worthy of the final product despite the chase day starting out subpar. Combined together with everything else, I think it’s some of my best footage to date!

Technical note…this film marks the first time I used my Canon 5DSR and 11-24 for time-lapse, which I bought right before the spring started (Thank you Martin Heck for the help!). I’m not 100% sure of course, but I believe the tornadoes in the film may be some of the first ever captured in 8K resolution. The 50 megapixels that camera offers was huge for being able to zoom into certain shots and still maintain fantastic quality and sharpness. Couldn’t be happier with that beast. I also used my trusty 5D3 for the tighter shots, with the 35mm, 50mm or 135mm.

I have to mention Kerry Muzzey here…he has surpassed being kind to me. This is the 3rd or 4th time he’s donated a song to one of my projects and I’m forever grateful. His music is powerful, haunting at times, and always, always perfect for the story I want to tell. This year I knew right away that “Found” was the song I would use. Please visit the links below to support his work!

There are a lot of names to thank which are listed at the end of the film. I owe them all so much for helping me this spring. Nowcasting, making me turn around when I was headed to Montana, teaching me about forecasting, helping me choose the right new camera, editing input, and just being good friends. I am very blessed to have some amazing people around me!

Most of all to my wife, Jina. She knows…every year I’m gone longer. I’m sure next year could be worse. But through it all, even when it’s really tough, she’s always right behind me. Making things work when I’m away. There are never enough words to cover how amazing she is.  But she knows and I know – this film wouldn’t happen without her.

I think that’s about it! Thanks to everyone for the kind words of support all year. I truly hope you enjoy this one! On to Monsoon 3!

 


Technical Details:

Captured with A CANON 5DSR, CANON 5D3, Canon 11-24mm f/4, 16-35mm, 35mm, 50mm, 135mm
Processed using Lightroom, LR Timelapse, After Effects and Premiere Pro

Most clips available in 8K resolution, as well as 4K.

New Volvic Mineral Water commercial

This new Volvic Mineral Water commercial by Le Chaînon Manquant used a couple seconds of my storm footage at :55 and :57!

Monsoon II

Blu-Ray discs available here.
Song by Kerry Muzzy: “Palladio Rebuilt” find it on iTunes (please consider supporting Kerry by purchasing the single or an album!)
Follow me: twitter.com/mikeolbinski / facebook.com/mikeolbinskiphotography / instagram.com/mikeolbinski


I’ve been chasing the monsoon in Arizona for about 6-7 years now. This summer was different though. Back in late July, I was wondering why it felt like I was out chasing more than ever before. And then I remembered. I had a job last summer. This year I didn’t. I went full-time photography in November of 2014 and haven’t looked back.

I was free to roam and had virtually no limitations.  I even had multiple chases where I never actually wend to bed, but instead chased all night. I took the kids to New Mexico at one point early in the season.

Last year I counted roughly 31 total days that I chased a storm during the monsoon. This summer: 48. Yikes.

17,000 miles driven, which was about 3,000 more than last year. Perhaps the biggest difference this year was shooting nearly 60,000 more time-lapse frames than I did in 2014. 105,000 total. And what sticks out to me even more than any of the other numbers above, is that only 55,000 of those 105,000 frames made it into Monsoon II.

What that means is I was able to stuff this new film with only of the best of the best. We missed out on some of the huge dust storms like I’ve captured in years past, but overall, I think this represents some of the best weather I’ve ever photographed in Arizona. There are stunning shelf clouds, gorgeous rain shafts, lots of blowing dust, tons of lightning, and even multiple mini-supercells/mesocyclones. The brief meso over Cottonwood at the 3:38 mark is one of my all-time favorites.

I can’t talk much more about the film without addressing the music real quick. The song is called Palladio (Rebuilt) and it’s once again by the amazing Kerry Muzzey who donated it to me for Monsoon II. He also let me use another song of his for my previous film, The Chase and I’m beyond grateful for his generosity. I mean, how do you thank someone enough for that? Click here to find the song on iTunes and please support his work! I’ve said it a million times…the music is at least 50% of these movies I make. Kerry’s art helps bring my films to life. Thank you my friend!

A few other words of thanks. My good friend and plains chase buddy, Andy Hoeland…always helps with forecasting and things he sees that I might miss. Mike Leuthold…his forecasting models at UofA have been hugely beneficial and it’s been fun to get to know him better this summer! Jeff Beamish in Tucson for helping me out when I’m down there! All the National Weather Service offices here in Arizona, especially Phoenix…thanks for all the hard work you do, even though it’s not always appreciated. You get bashed when you are wrong, and don’t get enough credit when you are right.  And to my buddy Jay Worlsey…he helped me loop a 6:15 song into an 8:30 song. Thanks for showing me the way my friend!

Above everyone else though…my wife Jina. I thank her every time I make a film because without her this would be impossible. Now she’s working part-time, so  when she comes home and I’m gone, and she has the kids to take care of as well…unless they happen to be with me that day. And this summer I was gone even more and she took it all in stride. There is nothing like having someone behind you, pulling for you, supporting you and being your biggest fan. Thank you Jina!

When I’m out there capturing footage for these films, I’m constantly thinking about the story I want to tell. For example, I wanted a lot of erupting, towering cumulus at the beginning to launch into the meatier clips. I started laying out the film back in mid-August. Certain clips I already knew would be in certain places in relation to the ups and downs of the song itself. As the season wore on, I gathered more and more clips and began to lay out the entire film. I’d remove clips when I got something better. There was exhausting editing, re-editing, looping music, reluctantly dropping clips that didn’t work or were unfixable and watching it over, and over and over, to make sure I was telling the story I wanted to tell.

At one point, about halfway through…I was telling Jina that I have a lot of great stuff, but still haven’t shot the final scene yet. I had no idea what it would be, but I knew I didn’t have it. And then that very night (or maybe the next day)…I was out west of Tonopah and I knew on the way home that the monsoon had finally delivered my ending.

That is what is so amazing about doing this. You hit the road with zero idea about what you’re going to see over the course of a summer. You might imagine scenarios or have ideas, but they get blown out of the water by reality. And that’s what I love about it.

My hope is that you can see and feel that love in this film. The beauty of the monsoon in Arizona. This is where I’m from and this is home.

 

 

The Chase


Watch the video in 4K over on YouTube!

The music in this film was composed by Kerry Muzzey and is a track called The Secret History from the album The Architect. Please consider purchasing this album over on iTunes! I am forever his Kerry’s debt for his kindness and generosity in donating this song for my film. I do not have enough words to thank him!

If you’d like to purchase a digital download of the film for your iPhone or iPad, see below! You can find prints from this chase and also my entire storm collection by visiting my gallery.

Follow me:  Twitter / Facebook / Instagram / Periscope


This past spring I spent more time chasing storms on the plains than ever before. The most I had spent prior to this was seven total days and that was last year. What I came away with from that short time made me realize that if I could double that…the stuff I could capture would be amazing. Of course I long to be out there for a month or longer, but when you live in Phoenix and have a wife and three kids…you have to be realistic.

I turned 40 years old this year and I told my wife all I wanted was 10 days chasing on the plains. She loves me though and it ended up being 14. Two days in April and then 12 straight days from May 23rd – June 3rd. Those 12 days were absolutely incredible. I’m friends with other chasers via social media, met them on the side of roads while chasing, even grabbed dinner together…but never have I felt more of a part of the chaser community than being out there for almost two weeks. Living the life…seeing the same amazing chasers over and over…it was overwhelming to me. I missed my family, it was hard at times, but it was one of the best experiences of my life.

Both chases originated from where I live in Arizona. In April I drove out all night to Colorado, slept maybe an hour, chased all day, got a good night’s sleep, chased the next day in the Texas Panhandle and drove home that same night, stopping only for a quick nap in New Mexico. The second chase was the same. Left Phoenix late on the evening of May 22nd, never really slept and the chase was on the next day. All in all I drove well over 12,000 miles over the course of those two weeks, visited 10 total states (New Mexico, Texas, Kansas, Oklahoma, Colorado, Nebraska, South Dakota, Wyoming, Montana and North Dakota) and shot over 45,000 frames of footage for this film.

I have many people to thank. Pat O’Brien for being my first private tour attendee this spring. Mike Mezuel II for one very big tip on a spot above Rapid City, SD. To James Langford who not only guided me to that spot over the phone, but “now-casted” for me many, many times. I may have missed out on four crucial clips in this film if it wasn’t for him suggesting I punch the core in South Dakota. Thank you sir. And to my pal Andy Hoeland…who was with me for over a week of my time out there, driving, looking at forecasts, talking to weather experts and always helping us have a great target for that day. He’s become my chase partner for most of these big plains trips and I wouldn’t have it any other way.

Also thanks to Cinetics for sending me their Axis 360 to play with. I used it one time in this film and wish I had used it more. I love that scene.

Finally…above everyone else, of course…is my wife. To let me go for that long, to never complain, to never discourage me…but to only believe in me…how could I be so lucky to deserve a wife like that? We have three kids and that’s tough on a parent to have her husband away that long. It will never cease to amaze me that I’d never, ever be here, doing this, if it wasn’t for her support and encouragement.

Technical details…everything was shot on Canon 5D3’s, along with an array of Rokinon lenses. I got sick of lens-twisting (mostly sick of FORGETTING to lens twist) so I mainly used those manual lenses on this trip. Everything was processed using LR Timelapse, Lightroom, After Effects and Premiere Pro.

Was everything perfect? Almost. Dust and dried water spots are the bane of a time-lapser’s existence. Even when I thought I cleaned my sensors, I missed something or didn’t do a good enough job. Or maybe a lens was the problem when I was focused on the sensors. I cannot stress enough the importance of getting things right IN-CAMERA. Trying to fix that stuff in post is tedious and aggravating. And sometimes it’s very hard to fix it at all.

Other than that issue, I’m in absolute love with this film. The stuff I saw rivaled anything I’ve ever seen on the plains minus that insane Booker supercell in 2013. We saw four tornadoes (one of them appears in a deleted scene at the very end of the film), countless supercells, gorgeous shelf clouds, stunning mammatus and some awesome lightning shows. The song..well, the song for this film blew my mind. I loved it when I heard it, but then seeing how everything started coming together on the timeline, the pace, the slow build-up, the huge ending…I’ve said it before, but the song is 50% of the film. Thank you again Kerry for everything!

All this movie does it fuel me to want to do better next year and this summer in Arizona. Stay tuned for Monsoon II and for The Chase II next spring!

I sincerely hope you enjoy and share this film around. Thank you for watching and if you have ANY questions, please ask in the comments below or visit my website and contact me through that!


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