OneQuestion: Michael Murphy

 (This begins the first ever OneQuestion series of guest blog posts by photographers I asked to participate. I want to thank all five of them that you’ll meet this week for helping me out and letting me take a breather from all the blogging and such. But mostly I want them to know how much I appreciate the awesome answers and the depths at which they talk about how much they love what they do.)

First up is Michael Murphy, a photographer from London who creates some stunning images that I’m constantly blown-away by. He’s one of those “urban explorers” and uses HDR as a part of his workflow for most of it. Love his processing and style.  A good man, with a good name. Was so excited that he wanted to be a part of this. Thanks man.

What do you have a passion to photograph? What would make you forego much-needed sleep

because you just can’t help but get out and take more pictures?


Follow Michael Murphy: Twitter | Website

My passion is, without a doubt, taking photographs of London from up high. The feeling you get standing high above the hustle and bustle of the UK capital is amazing. The only noises are the wind, the sirens and the sound of your camera clicking away…turning off a busy street on a Friday night, going up 20 or 30 storeys and then spending several hours looking down from above is simply euphoric.

Of course, there are downsides to this passion. There aren’t many places in London which allow you to climb onto their rooftops, especially with tripods and camera gear, and definitely not late at night. Those that do provide access are places where tourists go, where photography is often restricted or completely forbidden and where the view is hindered by glass, netting or early closing hours.

This means I have to resort to access that doesn’t involve asking for permission, which is done without being seen, and which unfortunately means those 20 or 30 storeys have to be done by stairs or scaffold. Night time obviously lends itself better to these covert operations; the streets are quieter with those still wandering them mostly drunk, shadows are available to hide in, and the sites where access is gained are mostly devoid of workers making the process much easier.

The easiest spots to access are buildings that are currently being built or demolished; they often have no doors and the only active alarms, if any, are on the scaffold or hoarding. Some have security, but avoiding them is part of the fun and bumps up the adrenaline levels almost as much as standing on the corner of a high building does.

I’ve learnt the hard way that there is often a small window of opportunity when gaining access to sites (and sometimes, literally a small window). A location that is open one day may have no roof the next, or may have boards put up to stop people from entering, or an increase in security. One particular location earlier this year turned from simply being able to walk in off the street and up to the roof to suddenly having fencing, alarms and signs stating ‘these premises are patrolled by security dogs’ within the space of a week. Another time I climbed a statue in a very popular area of London which had scaffold around it for cleaning, the opportunity arose simply because I noticed the padlock to the hoarding was unlocked as I walked past. The next day the job was complete, the scaffold was removed and the chance to get up there again was gone for another 5 or 10 years depending on how often the statue is cleaned. If you sit around planning too much and deciding to go the following weekend you often find that access is no longer possible; as the old saying goes ‘you snooze – you lose’ and that’s certainly true of this game.

When it come together though, and you’re stood on the top of a 30 storey building looking around at the iconic London landmarks and knowing that you’re taking photos from a viewpoint that the majority of people will never see, there’s no greater feeling. You feel a connection with the city that you don’t get elsewhere, and a sense of belonging in a place that can sometimes be so hostile. For that short period of time you feel invincible, and like you’re the king of the world. I’ve missed many nights of sleep (and nearly one plane flight) pursuing these vantage points, and I look forward to missing many more in the future.

HDR Tennis: Match 7

I participate in a group of awesome photographers that take a set of brackets from one of us and then process it in our own creative way. Then we post the results and get fans on our Facebook page to vote and choose which one they like the best. Fans of the page can also download the brackets and put their spin on it at all. A little friendly competition is good and healthy, and definitely a lot more fun when you WIN!

We call it HDR Tennis and the image above was my entry…which turned out to be the winning one and I’m proud of that. It’s a tough group…a very tough group and thus nailing an image that people love just a bit more than the others is an accomplishment.

The brackets were donated by Peter Talke and are obviously of Big Ben in London. The original 0 bracket is below.

I processed it all using onOne Software after I did the tonemapping in Photomatix. Used a couple of filters to bring out shadows and details, then converted it to B&W and then applied a textured border from PhotoFrame to finish the image. Immediately when I saw the original picture I knew I wanted to make it look like an old postcard if I could.

The hardest part was choosing the right frame from the literally hundreds and hundreds of options that onOne gives you.

You can see the other entries in our Facebook album right here.