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Spinner

October 1st was my final chase of the monsoon this year and it was a wonderful way to bookend a spectacular season. This image was taken along the AZ/NM border late in the day. A low-topped supercell with a wall cloud spinning to the north as it slowly died out. This is basically the closing image from the year for me, although I still have lots to edit. After this storm faded, I turned and headed for home and that was all she wrote.

Didn’t even know the time-lapse caught a lightning bolt until weeks later, which was a pleasant surprise!

Breathe

Blu-Ray discs available here: mikeolbinski.com/shop/
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Music: Breathe by Ex Makina licensed through the Music Bed
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The moment I heard the opening thump of bass…I knew I would be using this song for my film. But then those haunting vocals hit my ears…and blew my mind. It was like a punch deep in my soul. It’s hard to explain that feeling when you first hear a song and you immediately fall in love with it. Almost like you’ve known it all along.

I hadn’t even planned to start working on this film yet, but I was so inspired that I furiously began to lay down time-lapse clips. I couldn’t stop pouring over it. It was last September and I was supposed to be working on Monsoon IV, but I forgot all about it once I heard Ex Makina’s “Breathe.” It almost felt like it was made for a black and white storm film.

About halfway through editing, I knew the song title would be my film title as well. It was so perfect I couldn’t believe it. Sometimes for me…when I’m chasing or watching an amazing storm…I’ll realize I haven’t taken a breath in awhile. Never really thought of it until I heard this song.

I love being inspired by other artists. I love soundtracks. I can’t imagine the movie Interstellar without that powerful pipe organ soundtrack by Hans Zimmer. Music is so important to what I do and I’m so incredibly thankful to husband/wife duo Iain and Rebecca Campbell for writing this amazing song. Thanks to the MusicBed as well for having such fantastic musicians and artists.

In early 2017, I put together a film called Pulse that was my first ever black and white time-lapse movie. It was so different and fun, I wanted to do a follow-up this year before the next chase season begins. Breathe is made up solely of storm clips from 2017…either from the spring across the central plains or from the monsoon here in the southwest. Some are favorites, some are just ones I knew would be amazing in monochrome and others I used because they fit the music so well.  I also went with a wider aspect ratio on these films to give it more of a cinematic feel.

This is also the first film I’ve ever done in full 8K resolution. I’m super excited about that. You may not be able to watch it in that resolution, but it’s there if you can. Otherwise, 4K is a must if you can!

I truly hope you enjoy this. For me, I needed something to pass the time and bridge the next few months as I wait for supercells to return to the plains. But honestly, I truly love putting these together. Thanks for all your support in the past and feel free to share!

Technical Details:

I used two Canon 5DSR’s along with a Canon 11-24mm, 35mm, 50mm, 135mm and Sigma Art 50mm. Manfrotto tripods. The final product was edited in Lightroom with LR Timelapse, After Effects and Premiere Pro.

Monsoon IV // A 4K storm time-lapse film

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Blu-Ray discs available here: mikeolbinski.com/shop/
Music by Peter Nanasi, find his work here: https://peternanasi.bandcamp.com/
Follow me: twitter.com/mikeolbinski / facebook.com/mikeolbinskiphotography / instagram.com/mikeolbinski
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Early on this summer when I found myself down by Santa Rosa, AZ watching a gorgeous hail core fall on the stunning desert landscape, and then later that day staring at a haboob with a stacked shelf cloud above it near the border of Mexico, I had a feeling it would be a unique monsoon. It’s funny how every year is different. That’s the beauty of chasing the summer storm season out here in the desert southwest. You never know what’s going to happen or what you might see.

This year I ventured far and wide. Phoenix never saw a good dust storm all summer, but I still was able to capture a few good ones in southwest portions of the state. The cover photo for this film was halfway to Yuma standing in the middle of Interstate 8 watching an ominous wall of dust roll down the highway towards me with lightning flashing behind it. It was an incredible moment.

One bonus this summer was a few successful chases up at the Grand Canyon. Finally. A couple of gorgeous sunsets, rain dumping into the Canyon, lightning at night, Milky Way…it all worked out and I’m stoked for the footage I captured there that made it into this film. I also ventured over into New Mexico twice to chase some wonderful, plains-like structure to end the monsoon this year.

All told I covered about 13,000 miles and chased as far west as Desert Center, CA, as far east as Wilna, NM and as far north as Tonelea, AZ. And two great storms down in Organ Pipe National Monument, which is only about 10 miles from Mexico.

I loved what I saw this year. It felt so unique. I found myself submerged in cacti and desert flora a few times with stunning light and structure. Explored places in New Mexico I hadn’t seen before. Smiled at the gasps of amazement from the crowds at the Canyon when a lightning bolt would strike. Finally discovered that the Santa Rosa area is a hotbed for supercell activity. And while it didn’t make it on time-lapse, I captured a brief tornado over downtown Phoenix!

So…the film. So much effort and energy went into it. I shot over 110,000 frames of time-lapse and likely only half of it ended up in the final cut. The editing has taken me weeks and even right up until Monday evening I was still fixing and tweaking. The music is all custom, thanks to the amazing work of Peter Nanasi. PLEASE check out his website and buy his albums! I love how we work together to develop a track that seems to fit exactly with the clips I capture. I am so incredibly blessed that his work crossed my path.

A quick thank-you to the workshop guests I had this summer. You guys were amazing troopers, staying out to all hours and being around for some awesome storms. In fact, I am not sure that I would have even been on the shelf cloud in the final scene of this film if it hadn’t been for my workshop. Thank you, thank you!

As always though, what made it fun was sharing a lot of it with my kiddos. They made the trip up to the Grand Canyon with me once and it was such a blast of an experience. Asher joined me in New Mexico one day, just he and I, and I got to see his face light up when he captured his first ever lightning strike on video on his little iPad.

To my wife Jina…we’ve come a long, long way since we started this storm chasing journey years ago. It’s not been easy all the time, especially with me being on the road so much between April and October these days. But we’ve slowly figured things out and I’m unbelievably grateful to you for your support and belief in what we’re doing together.

To everyone else…thank you for your continued support of my work. I am constantly blown-away at the kindness that you show to me.

And now…I hope you enjoy this film.

Technical Details:

I used two Canon 5DSR’s along with a Canon 11-24mm, 35mm, 50mm, 135mm and Sigma Art 50mm. Manfrotto tripods. The final product was edited in Lightroom with LR Timelapse, After Effects and Premiere Pro.

 

Pursuit // A time-lapse film

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Blu-Ray discs available here: mikeolbinski.com/shop/
Music by Peter Nanasi, find his work here: https://peternanasi.bandcamp.com/
Follow me: twitter.com/mikeolbinski / facebook.com/mikeolbinskiphotography / instagram.com/mikeolbinski
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On June 12th,  I broke down into tears. Minutes earlier, I had been outside my truck, leaning against it, head buried in my arms, frustration and failure washing over me. I wanted to quit. I got back in the car and as I drove, the pain got the better of me and the tears came.

This past spring was a tough one. Supercell structure and beautiful tornadoes had been very hard to come by. In fact, the tornado in the opening of this film was the only good one I saw this entire year. I had been on the road longer than ever before. Driven more miles. I was away from my family for 12 straight days at one point, and when I got home, I had to tell them I was going back out 24 hours later for June 12th.  It was just too good to pass up. It promised to be a day that I could get everything I had been hoping for this spring and I had no choice. My wife understood, even though I knew she wished I stayed home. And I wished it too.

I knew right where I wanted to be that day. But this year I struggled with confidence in trusting my instincts. Maybe it was because the lack of good storms this spring made me question my skills, or maybe it was something else inside of me. Whatever the case, I let myself get twisted and unsure, and found myself 80 miles away from where I had wanted to be when the tornadoes started to drop and the best structure of the year materialized in the sky. The photos from Twitter and Facebook started to roll in and I knew I had missed everything.

It may not be easy to understand why, but when you work as hard as I did this spring, a moment like that can break you.  I felt like I let my wife down. But mostly I let myself down. I forgot who I was and that’s not me. Or it shouldn’t have been me. I failed myself.  And it seemed like the easy choice to just give up and head for home.

But I didn’t. I’m not sure why, but the pain slowly began to subside. I realized it was only 4pm and the storms were still ongoing. Maybe if I could get in front of them the day could be saved. Ninety minutes later, I got out ahead and saw some of the best structure I’d seen all spring and a lightning show that was so incredible it’s one of the very last clips of this film.

And that’s why this film is called “Pursuit.” Because you can’t give up. Keep chasing, keep pursuing. Whatever it is. That’s the only way to get what you want.

I learned something about myself on June 12th which carried over to the final few days of chasing this spring. I trusted myself again and those days were incredibly rewarding. This was who I’d been all along but had forgotten. I can’t wait for next year.

The work on this film began on March 28th and ended June 29th. There were 27 total days of actual chasing and many more for traveling. I drove across 10 states and put over 28,000 new miles on the ol’ 4Runner. I snapped over 90,000 time-lapse frames. I saw the most incredible mammatus displays, the best nighttime lightning and structure I’ve ever seen, a tornado birth caught on time-lapse and a display of undulatus asperatus that blew my mind. Wall clouds, massive cores, supercell structures, shelf clouds…it ended up being an amazing season and I’m so incredibly proud of the footage in this film. It wasn’t the best year in storm chasing history…but I got to chase storms and share it with you guys. All worth it.

I wanted to do something new this year, so I worked with composer Peter Nanasi to develop a custom track for Pursuit. I’m super excited about it and loved the process of exchanging ideas and building the song as the editing of the film progressed. I am so thankful to Peter for what he came up with, I’m in love with this track!

The time away from my family turned out to be over a month all told. I’m always and continually blessed by a wife who supports what I do and backs me completely. But not only do I have her to thank this spring, but also her parents who hung around for a good chunk of May and early June, to help out wherever needed, watch the kids, run errands and generally be there for Jina. I don’t have enough words to convey how appreciative I am for them being around while I was gone.

I think that’s about it. I could write a lot more, but I’d rather you watch the film and hopefully have a taste of what I saw this spring. There is nothing quite like strong inflow winds, the smell of rain and the crack of thunder. I miss being out there already.

I hope you enjoy and I’ll do my best to answer any questions in the comments below!

Technical Details:

I used two Canon 5DSR’s along with a Canon 11-24mm, 35mm, 50mm, 135mm and Sigma Art 50mm. Manfrotto tripods. The final product was edited in Lightroom with LR Timelapse, After Effects and Premiere Pro. Roughly shot around 90,000 frames of time-lapse, but a lot sits on the cutting room floor. I may do a “leftovers” version at some point.

 

 

 

The Chase


Watch the video in 4K over on YouTube!

The music in this film was composed by Kerry Muzzey and is a track called The Secret History from the album The Architect. Please consider purchasing this album over on iTunes! I am forever his Kerry’s debt for his kindness and generosity in donating this song for my film. I do not have enough words to thank him!

If you’d like to purchase a digital download of the film for your iPhone or iPad, see below! You can find prints from this chase and also my entire storm collection by visiting my gallery.

Follow me:  Twitter / Facebook / Instagram / Periscope


This past spring I spent more time chasing storms on the plains than ever before. The most I had spent prior to this was seven total days and that was last year. What I came away with from that short time made me realize that if I could double that…the stuff I could capture would be amazing. Of course I long to be out there for a month or longer, but when you live in Phoenix and have a wife and three kids…you have to be realistic.

I turned 40 years old this year and I told my wife all I wanted was 10 days chasing on the plains. She loves me though and it ended up being 14. Two days in April and then 12 straight days from May 23rd – June 3rd. Those 12 days were absolutely incredible. I’m friends with other chasers via social media, met them on the side of roads while chasing, even grabbed dinner together…but never have I felt more of a part of the chaser community than being out there for almost two weeks. Living the life…seeing the same amazing chasers over and over…it was overwhelming to me. I missed my family, it was hard at times, but it was one of the best experiences of my life.

Both chases originated from where I live in Arizona. In April I drove out all night to Colorado, slept maybe an hour, chased all day, got a good night’s sleep, chased the next day in the Texas Panhandle and drove home that same night, stopping only for a quick nap in New Mexico. The second chase was the same. Left Phoenix late on the evening of May 22nd, never really slept and the chase was on the next day. All in all I drove well over 12,000 miles over the course of those two weeks, visited 10 total states (New Mexico, Texas, Kansas, Oklahoma, Colorado, Nebraska, South Dakota, Wyoming, Montana and North Dakota) and shot over 45,000 frames of footage for this film.

I have many people to thank. Pat O’Brien for being my first private tour attendee this spring. Mike Mezuel II for one very big tip on a spot above Rapid City, SD. To James Langford who not only guided me to that spot over the phone, but “now-casted” for me many, many times. I may have missed out on four crucial clips in this film if it wasn’t for him suggesting I punch the core in South Dakota. Thank you sir. And to my pal Andy Hoeland…who was with me for over a week of my time out there, driving, looking at forecasts, talking to weather experts and always helping us have a great target for that day. He’s become my chase partner for most of these big plains trips and I wouldn’t have it any other way.

Also thanks to Cinetics for sending me their Axis 360 to play with. I used it one time in this film and wish I had used it more. I love that scene.

Finally…above everyone else, of course…is my wife. To let me go for that long, to never complain, to never discourage me…but to only believe in me…how could I be so lucky to deserve a wife like that? We have three kids and that’s tough on a parent to have her husband away that long. It will never cease to amaze me that I’d never, ever be here, doing this, if it wasn’t for her support and encouragement.

Technical details…everything was shot on Canon 5D3’s, along with an array of Rokinon lenses. I got sick of lens-twisting (mostly sick of FORGETTING to lens twist) so I mainly used those manual lenses on this trip. Everything was processed using LR Timelapse, Lightroom, After Effects and Premiere Pro.

Was everything perfect? Almost. Dust and dried water spots are the bane of a time-lapser’s existence. Even when I thought I cleaned my sensors, I missed something or didn’t do a good enough job. Or maybe a lens was the problem when I was focused on the sensors. I cannot stress enough the importance of getting things right IN-CAMERA. Trying to fix that stuff in post is tedious and aggravating. And sometimes it’s very hard to fix it at all.

Other than that issue, I’m in absolute love with this film. The stuff I saw rivaled anything I’ve ever seen on the plains minus that insane Booker supercell in 2013. We saw four tornadoes (one of them appears in a deleted scene at the very end of the film), countless supercells, gorgeous shelf clouds, stunning mammatus and some awesome lightning shows. The song..well, the song for this film blew my mind. I loved it when I heard it, but then seeing how everything started coming together on the timeline, the pace, the slow build-up, the huge ending…I’ve said it before, but the song is 50% of the film. Thank you again Kerry for everything!

All this movie does it fuel me to want to do better next year and this summer in Arizona. Stay tuned for Monsoon II and for The Chase II next spring!

I sincerely hope you enjoy and share this film around. Thank you for watching and if you have ANY questions, please ask in the comments below or visit my website and contact me through that!


Digital Download

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20150601 Rapid City 01-0592-Edit

Artesia II

A beautiful supercell rotates over the deserts southwest of Artesia, New Mexico.
(please click to view on black // canon 5d mark iii, rokinon 14mm f/2.8, iso 100, f/8, 1/60th // buy print)

Here’s a shot from May 23rd, 2014 that I never edited. Taken southwest of Artesia, New Mexico. We had been striking out on solid supercell structure the first few days of our chase trip, so this gorgeous little LP storm had us jumping up and down.

Headed back to the plains Friday night…cannot wait.

Let’s go places

Let's go places
(please click to view on black // canon 5d mark iii, rokinon 14mm f/2.8, ISO 3200, f/2.8, 20 seconds // buy print)

Last Tuesday I left my house around 4pm for Colorado and two days of chasing storms. Around 3 in the morning I couldn’t go any further, so I pulled over at a parking area north of Las Vegas, New Mexico to grab a few hours sleep.

A perfect spot to grab a shot of Vera II against the Milky Way. Loved how dark it was here…not to mention open and flat. Standing there, seeing the stars blaze in the sky like you don’t usually living in a big city…is always awe-inspiring.

West of Carlsbad, New Mexico

West of Carlsbad
(please click to view on black // canon 5d mark iii, rokinon 14mm f/2.8 // buy print)

My favorite part about storm chasing is never know what you might see at a moments notice. As we were headed into Carlsbad, we came out of under some rain and saw this cloud moving slowly across the sky.

Amazingly we had just come up to a road that went to the top of a hill for a little park area, so we drove up to the best vantage point and jumped out of the car. I had to duck under a fence. leap across a freshly flowing creek from previous rain and hail, and run uphill for about 200 feet.

My buddy Matt Granz and I stared in awe as we set up cameras. The light was simply amazing.

This scene is part of my Seven Days on the Plains timelapse film I released a few weeks ago.

Some timelapsing in New Mexico

A few weeks ago there was a nice little severe event that happened in southern New Mexico. I had always told myself if there was a chance of good storms, maybe even a tornado, in New Mexico, I’d make the drive over. It’s only a bit over four hours to Lordsburg, so I figured why not?

Sadly, I’m not a forecaster and the storms started going nuts before noon. We got there just after 1pm and saw some great stuff, but things started dying out a little bit after 2:30. At least where we were.

I found a couple of spots to do some timelapsing, the first two clips above were of a severe warned storm and then after that is mostly just some cloud development and movement.

Planned to stay in a hotel that night, but since things ended early, my daughter and I headed back to Phoenix. A long day, many miles, but it was just nice to get out and see some weather!

Nothing earth-shattering in these timelapses, just some beautiful cloud motion, which I love.