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Monsoon IV // A 4K storm time-lapse film

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Blu-Ray discs available here: mikeolbinski.com/shop/
Music by Peter Nanasi, find his work here: https://peternanasi.bandcamp.com/
Follow me: twitter.com/mikeolbinski / facebook.com/mikeolbinskiphotography / instagram.com/mikeolbinski
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Early on this summer when I found myself down by Santa Rosa, AZ watching a gorgeous hail core fall on the stunning desert landscape, and then later that day staring at a haboob with a stacked shelf cloud above it near the border of Mexico, I had a feeling it would be a unique monsoon. It’s funny how every year is different. That’s the beauty of chasing the summer storm season out here in the desert southwest. You never know what’s going to happen or what you might see.

This year I ventured far and wide. Phoenix never saw a good dust storm all summer, but I still was able to capture a few good ones in southwest portions of the state. The cover photo for this film was halfway to Yuma standing in the middle of Interstate 8 watching an ominous wall of dust roll down the highway towards me with lightning flashing behind it. It was an incredible moment.

One bonus this summer was a few successful chases up at the Grand Canyon. Finally. A couple of gorgeous sunsets, rain dumping into the Canyon, lightning at night, Milky Way…it all worked out and I’m stoked for the footage I captured there that made it into this film. I also ventured over into New Mexico twice to chase some wonderful, plains-like structure to end the monsoon this year.

All told I covered about 13,000 miles and chased as far west as Desert Center, CA, as far east as Wilna, NM and as far north as Tonelea, AZ. And two great storms down in Organ Pipe National Monument, which is only about 10 miles from Mexico.

I loved what I saw this year. It felt so unique. I found myself submerged in cacti and desert flora a few times with stunning light and structure. Explored places in New Mexico I hadn’t seen before. Smiled at the gasps of amazement from the crowds at the Canyon when a lightning bolt would strike. Finally discovered that the Santa Rosa area is a hotbed for supercell activity. And while it didn’t make it on time-lapse, I captured a brief tornado over downtown Phoenix!

So…the film. So much effort and energy went into it. I shot over 110,000 frames of time-lapse and likely only half of it ended up in the final cut. The editing has taken me weeks and even right up until Monday evening I was still fixing and tweaking. The music is all custom, thanks to the amazing work of Peter Nanasi. PLEASE check out his website and buy his albums! I love how we work together to develop a track that seems to fit exactly with the clips I capture. I am so incredibly blessed that his work crossed my path.

A quick thank-you to the workshop guests I had this summer. You guys were amazing troopers, staying out to all hours and being around for some awesome storms. In fact, I am not sure that I would have even been on the shelf cloud in the final scene of this film if it hadn’t been for my workshop. Thank you, thank you!

As always though, what made it fun was sharing a lot of it with my kiddos. They made the trip up to the Grand Canyon with me once and it was such a blast of an experience. Asher joined me in New Mexico one day, just he and I, and I got to see his face light up when he captured his first ever lightning strike on video on his little iPad.

To my wife Jina…we’ve come a long, long way since we started this storm chasing journey years ago. It’s not been easy all the time, especially with me being on the road so much between April and October these days. But we’ve slowly figured things out and I’m unbelievably grateful to you for your support and belief in what we’re doing together.

To everyone else…thank you for your continued support of my work. I am constantly blown-away at the kindness that you show to me.

And now…I hope you enjoy this film.

Technical Details:

I used two Canon 5DSR’s along with a Canon 11-24mm, 35mm, 50mm, 135mm and Sigma Art 50mm. Manfrotto tripods. The final product was edited in Lightroom with LR Timelapse, After Effects and Premiere Pro.

 

Monsoon II

Blu-Ray discs available here.
Song by Kerry Muzzy: “Palladio Rebuilt” find it on iTunes (please consider supporting Kerry by purchasing the single or an album!)
Follow me: twitter.com/mikeolbinski / facebook.com/mikeolbinskiphotography / instagram.com/mikeolbinski


I’ve been chasing the monsoon in Arizona for about 6-7 years now. This summer was different though. Back in late July, I was wondering why it felt like I was out chasing more than ever before. And then I remembered. I had a job last summer. This year I didn’t. I went full-time photography in November of 2014 and haven’t looked back.

I was free to roam and had virtually no limitations.  I even had multiple chases where I never actually wend to bed, but instead chased all night. I took the kids to New Mexico at one point early in the season.

Last year I counted roughly 31 total days that I chased a storm during the monsoon. This summer: 48. Yikes.

17,000 miles driven, which was about 3,000 more than last year. Perhaps the biggest difference this year was shooting nearly 60,000 more time-lapse frames than I did in 2014. 105,000 total. And what sticks out to me even more than any of the other numbers above, is that only 55,000 of those 105,000 frames made it into Monsoon II.

What that means is I was able to stuff this new film with only of the best of the best. We missed out on some of the huge dust storms like I’ve captured in years past, but overall, I think this represents some of the best weather I’ve ever photographed in Arizona. There are stunning shelf clouds, gorgeous rain shafts, lots of blowing dust, tons of lightning, and even multiple mini-supercells/mesocyclones. The brief meso over Cottonwood at the 3:38 mark is one of my all-time favorites.

I can’t talk much more about the film without addressing the music real quick. The song is called Palladio (Rebuilt) and it’s once again by the amazing Kerry Muzzey who donated it to me for Monsoon II. He also let me use another song of his for my previous film, The Chase and I’m beyond grateful for his generosity. I mean, how do you thank someone enough for that? Click here to find the song on iTunes and please support his work! I’ve said it a million times…the music is at least 50% of these movies I make. Kerry’s art helps bring my films to life. Thank you my friend!

A few other words of thanks. My good friend and plains chase buddy, Andy Hoeland…always helps with forecasting and things he sees that I might miss. Mike Leuthold…his forecasting models at UofA have been hugely beneficial and it’s been fun to get to know him better this summer! Jeff Beamish in Tucson for helping me out when I’m down there! All the National Weather Service offices here in Arizona, especially Phoenix…thanks for all the hard work you do, even though it’s not always appreciated. You get bashed when you are wrong, and don’t get enough credit when you are right.  And to my buddy Jay Worlsey…he helped me loop a 6:15 song into an 8:30 song. Thanks for showing me the way my friend!

Above everyone else though…my wife Jina. I thank her every time I make a film because without her this would be impossible. Now she’s working part-time, so  when she comes home and I’m gone, and she has the kids to take care of as well…unless they happen to be with me that day. And this summer I was gone even more and she took it all in stride. There is nothing like having someone behind you, pulling for you, supporting you and being your biggest fan. Thank you Jina!

When I’m out there capturing footage for these films, I’m constantly thinking about the story I want to tell. For example, I wanted a lot of erupting, towering cumulus at the beginning to launch into the meatier clips. I started laying out the film back in mid-August. Certain clips I already knew would be in certain places in relation to the ups and downs of the song itself. As the season wore on, I gathered more and more clips and began to lay out the entire film. I’d remove clips when I got something better. There was exhausting editing, re-editing, looping music, reluctantly dropping clips that didn’t work or were unfixable and watching it over, and over and over, to make sure I was telling the story I wanted to tell.

At one point, about halfway through…I was telling Jina that I have a lot of great stuff, but still haven’t shot the final scene yet. I had no idea what it would be, but I knew I didn’t have it. And then that very night (or maybe the next day)…I was out west of Tonopah and I knew on the way home that the monsoon had finally delivered my ending.

That is what is so amazing about doing this. You hit the road with zero idea about what you’re going to see over the course of a summer. You might imagine scenarios or have ideas, but they get blown out of the water by reality. And that’s what I love about it.

My hope is that you can see and feel that love in this film. The beauty of the monsoon in Arizona. This is where I’m from and this is home.

 

 

The Chase – Official Teaser

For the past six year I’ve been chasing storms on the central plains of the United States. But it started off small…a single day here. Three days there. Last year in 2014, I was able to spend seven days chasing, the longest I had up until that point. And it still wasn’t enough.

This past spring I went for it. Fourteen total days. Two in April and then one long trip that began on May 23rd and ended June 3rd. It was amazing. What I saw, how I felt…it was like nothing before.
Here is the official trailer for The Chase…a time-lapse short film that was photographed across 10 states and put over 12,000 miles on my 4Runner. I saw more supercells, funnel clouds and beautiful storms than ever before. It was worth the long, draining days on the road and time away from my wife and three kids.

For the first time ever, I felt like a true part of the chaser community. Twelve straight days will do that to you. The grind of waking up, looking at models and then hitting the road. Mostly though…it’s the friendships you make. Like that June 1st night in Rapid City, South Dakota, where every storm chaser seemed to end up…and we hung out, talked about the crazy storms, ate food and strengthened bonds.

I’m extremely proud of this film. Yet all it does is make me want to work harder on the next one. Next spring I hope to spend even more time out there.

The release will happen in the next two weeks, but in the meantime…I hope you enjoy this little teaser.

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Music: Destiny Waits by Bradford Nyght, licensed through The Music Bed