The Great Haboob Chase on Interstate 8

On July 9th, 2018, I woke up in Blythe, California, and checked the forecast one more time and it confirmed what I already knew the day before: the potential for an awesome storm rolling west down Interstate 8 was looking pretty good. And with that came the likelihood of a dust storm, or haboob. I already had the entire day’s route planned out…I’d hit south near the border towns of Sells and Santa Rosa, then head back north to I-8 to catch the storm outflows from Phoenix and central Arizona.

Rarely does a forecast come to fruition so perfectly…but this one did. I chased some good severe storms in the far southern portions of the state, and then headed north…hitting the town of Chuichu south of I-8 just as things got rolling. A big microburst kicked up a wall of dust that would move west and eventually merge with other, strong storms that rolled through Phoenix.

We jumped on I-8 and got west out of the dust and pulled over first at Vekol Road, my favorite spot along that freeway. The wall of dust was incredibly impressive…shelf cloud over it, the dust connecting right into the cloud base…it was amazing.

It was around 5:00pm at that point…and the chase would continue, for hours, all the way to Yuma. One of my final shots came around 8:30pm in the area of Ligurta. All told, around 140 miles and three and a half hours of chasing. Never have I chased a wall of dust for that long. Or been chased!

Besides July 5th, 2011…this was hands down, the best haboob I’ve ever seen. So many shapes and sizes. Incredibly density and definition. And the colors at sunset. Magnificent.

The film has all the clips from start to finish…somewhat in order, but not always. The microburst at the start was in Chuichu and the final scene was Ligurta.

It was fun to not only share this with some other chasers all having the time of their lives, but also with two of my kiddos. What an experience to have together!

Hope you enjoy this, and the music by Ryan Taubert.

I shot around 5,000 frames on two Canon 5DSR’s for this. Lenses were the Canon 11-24mm and 50mm 1.2.

Edited with Lightroom, LR Timelapse, After Effects and Premiere Pro.